Black Kids and The Virgins @ First Unitarian Church, Philadelphia

New York City’s The Virgins are out to have a good time and a good time is what they have every night on stage. Currently touring as support for Florida natives Black Kids. A great deal of the set reminded me of We Are Scientists with some fun distortions on guitar. Front man Donald Cummings had an intense energy that the crowd fed off of and they returned the band’s enthusiasm threefold.

Set List:
Private Affairs
Radio Christiane
Hey Hey Girl
Murder
Teen Lovers
One Week of Danger
Fernando Pando
She’s Expen$ive
Rich Girls

Ending on the high note of energetic single “Rich Girls,” The Virgins had gotten the crowd excited for headliners Black Kids. Touring their major label debut Partie Traumatic, Black Kids hit the road hard this fall taking their dance rock jams to kids all across the nation. The energy from the five piece was infectious and the entire Church basement was a great big dance party.

Set List:
Look At Me (When I Rock Witchoo)
Hit The Heartbrakes
Partie Traumatic
I’ve Underestimated My Charm (Again)
Listen To Your Body Tonight
I Wann Be Your Limo
Love Me Already
My Christian Name
Strange Power (Magnetic Fields)
I’m Making Eyes At You
I’m Not Gonna Teach Your Boyfriend How To Dance
\\
You Only Call Me When You’re Crying
Hurricane Jane

The Virgins: website | myspace
Black Kids: website | myspace | Partie Traumatic review

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Silver Jews @ First Unitarian Church, Philadelphia

I’ll admit that I was mostly ignorant of the sounds and theatrics of Monotonix and Silver Jews prior to attending their show. Despite a little research beforehand, I didn’t know what I was getting into, and while I definitely entered the First Unitarian Church with high expectations (David Berman, an unbelievably awesome poet is, after all, the front man of Silver Jews), I was for the most part completely (and pleasantly) surprised.

Monotonix, a group from Tel Aviv, began the night with their set up in front of the stage instead of on it. Their curly fros and short shorts immediately engaged everyone, and when they started playing, the crowd went crazy. Although slightly hesitant at first, perhaps due to the unexpected mooning of the crowd by singer Ami Shalev, gradually the intensity of the music and talent of all three of the musicians had everyone clapping and dancing.

Ami Shalev, Yonatan Gat

After a short while, they moved their set up further into the crowd; over and over they dragged the carpet square with the drums on it towards the back of the room as the crowd circled around them. As Shalev repeatedly put things on the drummer Ran Shimony’s head, from the snare drum to a trash can, the drummer seemed totally unphased while guitarist Yonatan Gat smiled on, and they played just as well all along. Songs included, “Set Me Free” and at least two others I didn’t understand any words to but could tell when they were different songs.

Ran Shimony

Although a very different kind of band with a very a different sound, it didn’t seem incongruous to have Monotonix open for Silver Jews. If anything, they complimented each other, as the energy radiating from both groups was contagious. After throwing candy into the crowd, Berman began singing “Smith and Jones Forever” in his voice that reminds me of a cross between Bob Dylan and Mark Knopfler but reminded my friend sweating along side of me in the church basement of Leonard Cohen.

David Berman

David Berman

Their stage performance consisted largely of standing around while playing, but the crowd was wild for them anyhow. Keeping with my expectations of poetics from Berman, he introduced several songs with poignant lines; before playing “Sometimes a Pony Gets Depressed” for example, Berman appropriately said, “No one gives a damn so you have to give a damn,” and before “My Pillow is the Threshold” he said, “If you’re out there trying to be an artist or something, don’t wait for affirmation. You won’t get it.”

, Cassie Berman

Cassie Berman (right)

Despite the negativity of his comments, however, Berman and his band mates were clearly having a blast on stage. At times Berman nuzzled the bassist, his wife Cassie, during the love songs, and each member of the six-person band played with intensity and energy throughout. Great show. Go see both bands if you can. Seriously.

Silver Jews: website | myspace
Monotonix: website | myspace

Words and Photos by: Rebecca S. Brown

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The Ruby Suns @ First Unitarian Church, Philadelphia

New Zealand duo The Ruby Suns have proved that the third time really is a charm. I had the pleasure of first seeing them perform this past Spring at the Barbary in Philadelphia following the release of Sea Lion. That night the venue, which self-proclaims it’s got the best sound system in the city, experienced many technical difficulties during The Ruby Suns’ set, causing the then trio a great deal of frustration.

I later caught the Ruby Suns opening Day 2 of Sub Pop’s 20th birthday party/music festival where the now duo also facially expressed their discontent with certain aspects of their performance. Everything sounded superb and the audience was totally into the performance, but Ryan McPhun and Amee Robinson would cringe occasionally. betraying a goof that went unheard by the crowd.

This past Sunday at the First Unitarian Church in the heart of Center City Philadelphia, the Ruby Suns played an outstanding set in between Pony Tail and Tilly and the Wall that McPhun, Robinson and the crowd were more than delighted with.

Ryan McPhun

The pair’s reverb-rich set featured exotic beats both synthetic and created by the Ruby Suns. Ambient and airy melodies remained grounded thanks to Robinson’s hot and pulsing bass lines. Despite the heat in the air conditioning-less basement of the Church, the audience, all smashed up against each other, danced frantically to the Ruby Suns’ funky sounds taking cues from McPhun’s non-stop energy as he obliterated his free standing floor tom.

A long standing joke in the concert world, someone in the crowd shouted “FREE BIRD!” during a brief pause as Robinson and McPhun prepared to play their last song. The request, perhaps a new phenomenon to the Down Under duo, caused McPhun to pause in bewilderment before saying, “Are you saying Free Bird? …We haven’t got any guitars.” He and Robinson then proceeded to finish out their refreshingly guitar-less set with nothing but infectious smiles on their faces.

Amee Robinson

Amee Robinson

You can catch the Ruby Suns on tour with Tilly and the Wall for another week. In November they head overseas with another PopWreckoning favorite, The Dodos.

Tour Dates:
Jul 31 – Paradise Rock Club / Boston #
Aug 01 – Mohawk Place / Buffalo #
Aug 02 – Mod Club / Toronto #
Aug 03 – Hartwood Acres / Pittsburgh #
Aug 05 – The Magic Stick / Detroit #
Aug 06 – The Abbey Pub / Chicago #
Aug 07 – Sokol Auditorium / Omaha, Nebraska #
Aug 09 – Daytrotter Session / Rock Island, Il.
Nov 14 – Point Ephemere / Paris *
Nov 17 – Nachtleben / Frankfurt *
Nov 18 – Headcrash / Hamburg *
Nov 19 – Voxhall / Aarhus *
Nov 20 – Loppen / Copenhagen *
Nov 21 – Knaack / Berlin *
Nov 22 – kropolis / Prague *
Nov 23 – 59-1 / Munich *
Nov 24 – Chelsea / Vienna *
Nov 25 – Stalker / Padova *
Nov 26 – Casa 139 / Milan *
Dec 04 – King’s Arms / Auckland
Dec 05 – Spectrum / Sydney
Dec 06 – Northcote Social Club / Melbourne (w/ Pikelet and AIH djs)
Dec 29 – Rhythm & Vines Festival / Gisborne

# w/ Tilly and the Wall
* w/ The Dodos

The Ruby Suns: website | myspace | Sea Lion review | live review | Sub Pop 20
Sub Pop Records: website

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